Flowing With The Tide

The phrase stomp at first started with two buskers dazzling the streets of Brighton, UK with audio, their catchy overall performance hooking in bystaders to stop, observe, and listen. Created by Steven McNichols and Luke Cresswell in Brighton, UK, the musical STOMP debuted within the Orpheum Theatre in February 1994. The musical STOMP can also trace a few of its roots to Booth Theatres erected at the Village Fairs in the Middle Ages and Renaissance period- an old custom in that time. As opposed to any other musical, STOMP challenges the idea of what constitutes music. Eight nightly performers play basic and complex rhythms from every day items, for example six foot poles, sand, brooms, lids, litres of water, and aluminum bins. Through dance and audio, the group collaborates with every other to play audio, as well as providing person self-expression. STOMP is really a sensual combination of comedy, percussion, and energetic movements. The musical STOMP is the unique construction of Steven McNichols and Luke Cresswell that captalizes on a ‘less is more’ philosophy. It’s a passionate production, not effortlessly classified into a particular musical or theatrical genre. Through the absence of melodies, the audience listens to audio obtaining broken down into basics as eight chiseled and lively performers pound out rhythms with ordinary objects: poles, drumsticks, match boxes, water, brooms, bins, and lids. Ironically, the common high quality of these objects catapults STOMP to an artistic level unrivalled by other modern theatrical acts. The ease in which the cast manipulates their ‘instruments’ and body expands the imagination into a thrilling reality. The set design is flashy and multi-colored at times; a more elaborate metal construction displays instruments which are struck by performers harnessed from the ceiling. This restriction frees the cast to use their feet, legs, and arms to produce loud group rhythms which shake the rafters and audience with the intense, tribal rhythms. These in-your-face cadences are a potent avenue for person and collective expression, leaving many on the edge of their seats. STOMP’s lack of fancy performer outfits keeps the focus on what really counts: dance moves and music rhythms, which turn out to be more intricate with each subsequent scene. Subtlety is also used to balance these raw rhythms.One scene is structured around performers tapping six foot poles, as they stealthily circle the stage, almost preying on one another with their sly moves and rhythms. Their sense of connection is palpable and sensual, cast eye contact igniting the anticipation, as you almost find yourself questioning who is going to ‘win’ at this musical game. Yet, everybody wins, the audience even invited into the overall performance via a cast member who initiates a clap-and-response session. Roughly two hours in duration, STOMP keeps one’s attention, making you wonder how items usually reserved for math difficulties, cleaning, and construction projects can entertain and produce a powerful music group dynamic. In this age of modern technology, STOMP is a refreshing blend of primal instincts meeting music genious, reminding us of the musical and rhythmic potential right under our noses. Discover much more information about the musical and buyStomp Tickets on the internet

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